Mackie Onyx 1620I Driver4/25/2021
Alongside are four stereo auxreturn controls fed from the rear panel auxreturn jacks.The Firewire outputs from mixer to MacPC were all preEQ, and the return only stereo.
Kie Onyx 1620I Driver For DigidesignsThe newest models change this, and add other useful features including 24bit, 96kHz conversion and an optional driver for Digidesigns Pro Tools MPowered software.There are also six aux sends per channel, four subgroups, the main stereo outs and a comprehensive master section. Despite including all those controls and faders, the 1640i can fit in a standard 19inch rack, using the supplied adaptor brackets. A ventilated section at the rear hosts the IO connections, and the universal power supply is builtin. If you want the connectors to face forwards instead, youll need to buy an adaptor kit, but it can still be achieved relatively easily. This flexibility enables the mixer to be built into studio furniture while allowing access to the connectors. It also incorporates intuitive routing buttons that route all channels, aux sends, subgroups and master LR to the DAW inputs. By default, the 16 Firewire outputs are fed from the channels, prefader, with a choice of pre or postEQ sourcing, while selecting other routing options removes some of the input Firewire channels and redeploys them where needed. The DAW outputs return to the 16 mixer channels by default, but there are alternative routing options. ![]() Up to 60dB of mic gain is available on the Onyx mic preamp, and after this in the signal chain theres a button to select the Firewire output from the channel to be pre or postEQ. The usual high (12kHz) and low (80Hz) shelving filters are teamed with two sweepable mids, covering the 400Hz to 8kHz and 100Hz to 2kHz ranges. All four EQ sections offer up to 15dB of gain, and theres an EQ bypass button directly below the EQ section. ![]() The headphone jack and a 12V BNC socket for a desk light are located at the top of the panel, with the Control Room section beneath. The latter offers separate level controls for the Control Room output and the headphone output, both of which carry the same signal, selected by the buttons above. You have a choice of monitoring the Main Mix, Tape (a twotrack external input), Subs 12, Subs 34 or Firewire returns 12, and have the option to route these directly to the main mix rather than to channels 12. This is useful if you still want to mix in the box, but also if you need a quick means of switching the mixer to play back a stereo signal from your computer from iTunes, for example. A stereo, 12segment meter displays the output levels, and those of any soloed tracks. Tape In has its own level control, and can be routed to the main mix using the Tape To Main Mix button. Solo can be set to AFL (after-fade listen) or PFL (pre-fade listen), with Mackies traditional flashing rude solo light to warn when one or more solo buttons are pressed. A rotary control adjusts the solo level: a good thing, as PFL can get pretty loud sometimes. A Firewire button allows the six aux signals to be sent out on Firewire channels 914 in place of those input channels.
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